New Jersey’s progressive metal masters SYMPHONY X released their ninth studio album 'Underworld' onJuly 24th via Nuclear Blast Records. In celebration of the album charting worldwide (#80 UK National Album Charts & #7 UK Rock Chart), the band have released an official lyric video for new track 'Kiss Of Fire'.
Check out the video on YouTube: https://youtu.be/6uY6MNuMdUU
SYMPHONY X have triumphed in creating a panoramic 'album rock' experience in an era cursed with diminishing attention spans. “This new one is about the song, really crafting each one on its own, to be as strong as it could be”, says Michael Romeo the chief writer in the band and proprietor of The Dungeon, the tricked-out studio in which the album was crafted. The studio is newly equipped with the latest technology to execute the band’s famous symphonic and orchestrated touches.
“Musically, Underworld has things reminiscent of the bands previous albums but this one definitely has its own individuality”, states Michael. “Every element added was in service of the song, so the album flows and becomes a total listening experience from start to finish. Every song is to-the-point and fine-tuned, with us paying a lot of attention to the hooks, voices, riffs, and keeping the interest and the energy high for the entire record. It is heavy and aggressive as fuck when it needs to be, yet soaring and emotional at other times. I think the balance is just right. It had to have all the elements of what we normally would do, just tweaked up a notch and really fine-tuned. You know, industry people have talked about how we’ll never see a complete album again, and that idea. I wanted to defend the reputation of the album, and really try to make Underworld worth listening to as a whole record. It’s what I love about great individual songs, but still an album experience. I don’t want to sound like I’m preaching, but it was a point we wanted to make. It was about the progression of the whole record. It speeds up here and then it dips down here. It all makes sense together, it all works together and it all flows together.”
Although Underworld is not a concept album, Michael explains: “...like the last couple of records, there’s a theme that carries through, without it being storytelling. We try to find something to key in on and get the juices flowing, and here the goal was to find something a little dark but with emotional content. I started looking at Dante, and Orpheus in the underworld, where he’s going to go to Hades or hell to save this girl. So there’s the theme of going to hell and back for something or someone you care about.”
Heavily inspired by the Italian poet Dante Alighieri, Underworld draws on the themes from Divine Comedymost notably the part on Inferno. As homage to Dante’s use of the number 3 and its multiples, the band utilises this motif in its music either in a lyrical or melodic context. The first song on the album is a three syllable, three note melodic phrase and in the verses there are three references to three songs on the bands third album, The Divine Wings Of Tragedy. "There's cool shit like this all over the record", Romeo reports.
For Underworld’s cover art, SYMPHONY X drafted in the help of their established illustrator pal Warren Flanagan (Watchmen, The Incredible Hulk), who similarly tapped into the 'secret knowledge' vibe that Michaeland the band embedded in the record. “Warren went with the masks, similar to the first record”, explainsRomeo. “But when I discussed with him Dante and the underworld, he did his own research and designed a little symbol for each of the nine circles of hell. So there are these little geometric symbols that mean something. That’s just what he does. He gets in there and finds these things that maybe no one really besides us knows what it means and yet it has meaning.”
The track list for Underworld:
04. Without You
05. Kiss Of Fire
07. Hell And Back
08. In My Darkest Hour
09. Run With The Devil
Order Underworld here: http://nblast.de/SXUnderworld
Guitarist Michael Romeo commented on the track:
“'Without You' is a bit mellower than the first single, 'Nevermore', with a big chorus and a sweeping feel. I don't know if I would call the track a ballad, but it's a little bit softer, not so much about riff, but more the acoustic and electric interplay. Those two are good single choices, if you will, because they represent what the record is: it's heavy, but at the same time, there are some of these soaring melodic parts.”
NUCLEAR BLAST RECORDS UK